Pumpkinhead (Review)

Writer: Cullen Bunn

Artists: Blacky Shepherd, Kyle Strahm

Colourists: Thiago Ribeiro, Arancia Studio

Letterer: Troy Peteri

Publisher: Dynamite Entertainment

Release Date: 23rd October 2018

Pumpkinhead is a comic book entry in the horror movie franchise of the same name. It is not based on any of the movies, instead telling its own story. The plot is simple, someone has called Pumpkinhead to avenge a death. Only this time the intended target also knows some witches and so Pumpkinhead not only has to kill its target, but also contend with an array of demons, each of which represent a different deadly sin.

The battle between the demons may be one of the biggest draws of this comic, but the majority of the book is instead spent with the different groups of human characters, each with different goals. There are certainly characters that will be more naturally sympathetic than others, but the writing mostly fails to come down on one side in terms of who it expects the reader to root for. There is a moral dilemma brought up in the book, and while I will refrain from spoiling it, it is given the weight it deserves, with no clearly right answer.

As with any continuation of a long established franchise there is the question of whether or not new readers will be able to pick up the book without knowledge of what exactly Pumpkinhead is. This is one way in which the book’s simple plot is advantageous. Pumpkinhead is a demon, Haggis is a witch who watches over it, pumpkinhead will not stop until it is finished. These are all simple, easy to convey and understand concepts that allow the new readers to get to grips with the comic as easily as older fans of the Pumpkinhead series.

This is not just a book for Pumpkinhead fans, but fans of gory horror in general. The art does not just depict gore, it does it with a griminess and a level of seediness that feels lifted directly out of the sort of horror movies that Pumpkinhead exemplifies. If there is any part of this which might disappoint horror fans it’s that the gore is not as plentiful as it could be.

Crucially for horror, the writing maintains a feel of helplessness in the human characters even as it shows them doing their best to fight back or survive with the aid of guns, or fast cars. This is a fight in which most of the main characters are very much caught in the middle of a battle between multiple forces that they clearly can not quite comprehend. No one is glorified here or comes out as some sort of badass, they are just afraid and doing their best.

Alongside the five issues that make up the main story, this collection also includes a backup story which sheds some light on Gluttony, one of the other demons. It delves a little into the dangers they pose even to those who might summon them, and works well as both a cautionary tale and as a chance to gain some insight into the character of Haggis.

This section of the book is in black and white. The paper has a brown tinge to it and the way it is done works with Strahm’s art work in a way makes this section of Pumpkinhead feel even more like an old horror movie.

Pumpkinhead succeeds at translating its subject matter to a new media while telling a new story.. The plot is simple, the characters are engaging, and the visuals are a strong representation of the subject matter, with creepy environments and an engaging cast of characters. This is a good title for horror fans to pick up.