High Heaven: The Austerity Gospel (Review)

Writer: Tom Peyer

Artist: Greg Scott

Colourist: Andy Troy

Letterer: Rob Steen

Publisher: Ahoy Comics

Why did the chicken cross the road? It's one of the oldest jokes that you might still hear told every now and then. The thing about this joke is that it's all set up. There are countless answers, and some of them are even funny, but the thing that matters most is the question itself. High Heaven is like that.

The set up for the story is perfect. David arrives in Heaven, only to find that it is just awful. His surroundings fail to meet the standards of even the worst motels, the staff are at best unsympathetic, and all the other inhabitants hate him. The early pages mostly involve David seeing just how disappointing Heaven is, and this is when the book is at its best.

Both the writing and the artwork do a great job of showcasing just how mediocre heaven is. The food is tiny, and nothing really works. The creative team achieve exactly what they set out to do in showing what it would be like if your eternal reward turned out to be just as disappointing as a bad package holiday.

High Heaven's problem is that, much like the question of why the chicken crossed the road, it eventually has to lead somewhere, and it isn't as good when it tries to have a plot. There is a side story set on Earth while the main story plays out in Heaven, and it doesn't amount to much. It involves something of a climax but it all proves to be insubstantial.

The main plot fares somewhat better, and the ending is fitting, but it doesn't feel like much has been achieved. It could be argued that this is the point, given the way it ends, but there is a difference between a story about someone who fails to achieve much ,and a story which fails to achieve much itself.

In all honesty it feels like the time that was spent on the conspiracy and David's personal quest could have been spent with the character just milling around heaven some more. Doing so would have allowed for more time for the character to interact with other people around heaven. They are all repeatedly shown to hate him, but none of them spend enough time in the book for that hatred to feel either deserved or understandable.

High Heaven is different. It takes the statement that "Hell is other people" and imagines what it would be like if that sentiment was just as applicable to Heaven. It is worth checking out to see its main character struggle with the reality of the afterlife, and it even has a few answers for why Heaven is the way it is. Unfortunately, just as with the chicken and the road, the question being asked proves to be more engaging than the answer the book ultimately provides. It's good; the writing is sharp, and the art manages both glamour and grime, but it definitely could have been better.

Captain Ginger: Volume One (Review)

Writer: Stuart Moore

Artist: Jane Brigman

Inker: Roy Richardson

Colourist: Veronica Gandini

Letterers: Richard Starkings & Comicraft's Jimmy Betancourt

Publisher: Ahoy Comics

Release Date: 18th June 2019

Captain Ginger is a comic book series about a crew of cat people. All of humanity has been wiped out, and the cats they left behind evolved to attain a more human like posture, and human levels of intelligence, and are now running the ship. This is a set up which should feel familiar to fans of long running British sitcom, Red Dwarf. 

On the comic's opening page the titular Captain Ginger tells one of his sergeants that if he doesn't report to the bridge he will have his "ass for a scratching post". It quickly becomes clear that this isn't the only reference that will be made to the cats' animal nature.

At first it seems like such nods are the only ways in which the fact that the characters are all cats will be explored. It quickly becomes apparent however that the conflict between the beings that the crew have evolved into, and the animals that their ancestors were born to be is forms the heart of the story.

Having the cats' struggle with their identity form such an important part of the narrative is what stops this book from being just another space comic which just so happens to have a lot of cat puns. It is noted at several points throughout the story that the cats don't know much about the people who left them behind, referring to them as "feeders", and one of the older cats even mentioned that it took them time to even learn how to operate the ship they live on. Not only does this provide some sense of mystery to how the humans died (though the culprit does announce themselves fairly early on in the book), it also gives the characters room to grow in terms of character development. It is a source of jokes, personal growth, character development, background, and plot developments all in one. What might have been just an excuse to make silly cat gags under another creative team is instead an effectively told story about a crew trying to figure out how to survive and find their place in the universe.

The key to this success is that the creative team have clearly thought out the problems that might arise in a ship full of cat people. Because cats give birth to full litters the ship's ever increasing population is something that the crew has to deal with. Because no humans were around to explain to the cats what a toilet is, they still use litter boxes (albeit much bigger litter boxes), and keeping the litter room clean and free of ammonia is a constant battle. Every aspect of how cats live has been considered in relation to how it would affect life both life on a ship and the ability of the cats who live on in to maintain their existence. When was the last time an anthropomorphic animal story that much thought put into the fact that its characters are still, on some level, animals?

The characters inhabiting Captain Ginger should be easily recognisable to fans of science fiction (especially Firefly fans). Captain Ginger struggles with leading a ship with a population who both turn to him in times of need and resent him when things aren't better. Sergeant Mittens has a rivalry with his captain, and resents his captain's authority. Other characters include a wise, but frail scientist, an engineer who starts the comic expecting a new litter, and a female scientist who is in charge of some of the more complex machinery that humanity left behind.

These characters may feel a little generic at times (Ginger, and Mittens being the most noticeable in this regard), but the book's core premise, Moore's writing, and Richardson's artwork all combine nicely to make these characters more than just stock archetypes.

Captain Ginger: Volume One is a comic book which skirts near the edges of some well worn space fiction tropes, but avoids falling into them by truly committing to its premise human like cats and fully exploring everything that it might entail. The result is a gripping tale which tackles the nature of legacy, and the challenges of survival. I look forward to seeing where the series goes next, and I wholeheartedly recommend this book.